မူလစာမ်က္ႏွာ၊ ကဗ်ာ၊ဟာသ၊ ၀တၳဳ၊ ေဆာင္းပါး၊ ခရီးသြား၊ ခံစားမႈ၊ ဘာသာျပန္

Wednesday, July 10, 2013


vuFmwdvutvGrf;
      ]]t&Sifbk&m;wkdYeJY awGUqkHcGifh&wJh uHMur®mukd vGefpGmaus;Zl;wifrdw,f/ t&Sifbk&m;wkdYukdvnf; b,fawmhrS arhrSm r[kwfygbl;/ t&SifwkdYeJY awGUvkduf&vYkd wynfhawmfwkdYb0 vkH;0ukd ajymif;vJoGm;ygNyDbk&m;/ 'DaeYupNyD; b0wpfavQmufvkH; pifMu,frGefjrwfvSwJh Ak'¨&JUtqkH;trrsm;ukd vkdufem&if; tcsdef&Sdoa&GU 0dyóemw&m;awmfrsm;ukd yGm;rsm;tm;xkwfaeygawmhr,f bk&m;/}}
      Ak'¨bmomjzpfp tar&duefZeD;armifESH a';Apfrufo½l;ESifh rpöpf'Dem&SD,mwkdY&JU &ifxJrSvIdufvSJpGm ajymqkdcJh aom pum;rsm;ukd jyefvnfMum;a,mifaerdonf/ rsuf&nfrsm;&pf0Jaeaom olwkdYykH&dyfrsm;u raeYwpfaeYutvm; tawG;tm½kHxJ xif&Sm;pGm ay:vmonf/ olwYkdESifh uE´DNrdKUwGif wwd,tBudrfajrmuf t*Fvdyfpm txl;rGrf;rH oifwef;wufcJhpOfu awGUqkHcJhjcif;jzpfonf/ olwkdYu {nfhonfawmftjzpf vma&mufullnD oifMum;ay;cJhMujcif; jzpfonf/
      xkdoifwef;ukd tar&duefAk'¨bmomZeD;armifESH rpöwmuifESifh rpöpf0domcgwkdYu OD;pD;zGifhvSpfoifMum; ay;jcif;jzpfonf/ oifwef;umvrSm 2011-ckESpf? Zefe0g&Dv 10-&ufaeYrS 24-&ufaeYtxdjzpfonf/ q&mBuD;wYkd ZeD;armifESHonf 1988-ckESpfu pwifNyD; Buddhist Relief Mission toif;ukd wnfaxmifum Ak'¨bmom &[ef;awmfrsm;ESifh EkdifiHa&;'ku©onfrsm;tm; tpm;taomuf? aexkdifa&;? usef;rm;a&; ponfwkdYudk ,aeYwkdif ulnD ay;vsuf&Sdygonf/ (550)Zmwfawmfrsm;udkvnf; t*Fvdyfbmomjzifh a&;om;xkwfa0xm;onf/ pma&;olwkdY jrefrm&[ef;awmf tyg;(30)ukd t*Fvdyfpm t&nftcsif; ppfaq;ac:,lum aeYpOfqGrf;uGrf;wm0ef,lí oifwef; yYkdcsay;onf/ tar&duefEkdifiHrS taumif;qkH;½kyf&Sifum;rsm;ukdvnf; A[kokw&ap&ef jyoay;onf/ avhvma&; c&D;rsm;ukdvnf; tukeftuscHí pDpOfay;onf/
      pma&;olwkdYtzGJUukd pG,fawmfwkduf? a'*gvfa'g½k0 (Degaldoruwa) *'va'ed, (Gadaladeniya)ESifh vuFmwdvu (Lankatilaka) [laom a&S;a[mif;bk&m;ausmif;awmfrsm;okdY avhvma&;c&D; pDpOfay;cJhonf/ pG,fawmfwkdufonf urÇmausmfMum;NyD; vlodrsm;onf/ a'*gvfa'g½k0paom a&S;a[mif;okH;ae&mukdrl vlodenf; ao;onf/
      q&mBuD;rpöwmuifu rdrdwkdYudk 17? 1? 2011- &ufaeYu xkda&S;a[mif;okH;ae&mokdY ykdYaqmifay;NyD; eH&Haq;a&;yef;csDrsm;? yef;ykvuf&mrsm;? Adokum'DZdkif;rsm;ukd aocsmavhvmaponf/ a';Apfrufo½l;ESifh rpöpf'Dem &SD,mwkdYvnf; pma&;olwdkYESifhtwl vkdufygavhvmMuonf/
      a'*gvfa'g½k0bk&m;ausmif;awmfudk bk&if&mZm"d&mZoD[u at'D 1771- ckESpfwGif wnfaqmufcJhonf/ uE´DNrdKUESifh ig;uDvdkrDwma0;aom trkEk*gr (Amunugama) &Gmav;ab;wGif wnf&Sdonf/ ay (40) eD;yg;&Sdaom ausmufwkH;BuD;ukd cGJí vdkPf*ljyKvkyfum twGif;ü bk&m;ausmif;aqmufvkyfxm;jcif;jzpfonf/ *lt0if0ukd tcef;okH; cef;zGJYxm;aom wpfxyftkwfwkdufuav;jzifh qufoG,faqmufvkyfxm;onf/ avScg;ajc&if;wGif vjcrf;ykH ausmufjym; (Moonstone) wpfckESifh 'Gg&ygv(Guardstone) wpfck &Sdonf/
      pma&;olwkdYa&mufoGm;aomcg ukd&ifi,fwpfyg;u aomh,lvmNyD; wHcg;zGifhay;onf/ ausmif;aqmifxJwGif avsmif;awmfrl Ak'¨½kyfyGm;awmfBuD; wpfql? xkdifawmfrlwpfqlESifh &yfawmfrlESpfql&Sdonf/ eH&Hrsm;wGif (550) Zmwf awmfrsm;? oD&dvuFmEkdifiH&Sd Ak'¨bmomESifhywfoufí xif&Sm;aom (16) ae&m? t&G,frsKd;pHk? 'DZdkif;rsKd;pkH MumyGifhrsm; ukd awGU&onf/ Zmwfawmfrsm;wGif owåKboåZmwf? r[moDv0Zmwf? r[mokwaomrZmwfESifh a0óEÅ&mZmwf yef;csDrsm;rSm avhvmolrsm;\ tm½kHukd tzrf;pm;EkdifqkH; jzpfonf/ a0óEÅ&mZmwfwGif tvSLcHrsm;\ ukd,fae[ef rsm;ESifh rsufESmrsm;ukd ykHpHrsKd;pkHjzifh azmfjyxm;onf/ 0okE¨a&ewfonf nmvufukd qefYwef;NyD; b,fvufrS yef;pkdufxm;aom a&tkd;av;ukd ajr§mufxm;onf/ ovGefay:wGif vJavsmif;aeaom r,fawmfrm,m\ txufwGif jcifaxmifwpfckudk awGY&onf/ xl;qef;onfrSm oD&dvuFmEkdifiHwGif ,aeYacwf tokH;jyKaeaomjcifaxmifESifh wpfykHpHwnf;jzpfonf/ txl;jcm;qkH;rSm tay:rsufESmusufrS rm&fewfESifh vufeufrsKd;pHk udkifaqmifxm;aom ol\ ppfwyfBuD;jzpfonf/ rm&fewfBuD;onf qifajymifMuD;ukd pD;xm;NyD; ol\vufukd;cku "m;ukd;acsmif;ukd ukdifxm;onf/ rsufESmrSm ig;ckjzpfonf/ xkdyef;csDum;onf oD&dvuFmEkdifiHwGif tajymifajrmufqkH; yef;csDum;wpfck jzpfonf[k qdkMuonf/ xkdYtjyif &mrm,PESifh bDvl;rsm; ppfxkd;cef;uvnf; pdwf0ifpm;zG,faumif;vSonf/ 0wfpm;wefqmqif,ifrIrsm;rSm ay:wl*Drsm; tkyfcsKyfcJhcsdefukd xif[yfapjyD; ta&SUESifhtaemuf,Ofaus;rI aygif;pyf xm;rIukd azmfjyaeonf/ 
      eHeuf (10)em&DcGJcefYwGiff q&mBuD;wkdYu oifwef;wnf&Sd&m (BPS) pmtkyfwkdufokYd jyefvnfyifhaqmifum aeYqGrf;qufuyfvSL'gef;onf/ aeYvnf(1)em&DwGif uE´DjrdKUpGefwGif wnf&Sdaom *'va'ed,ESifh vuFmwdvu bk&m;ausmif;rsm;odkY ykdYaqmifay;onf/ *'va'ed, bk&m;ausmif;awmfrSm ausmufjym;MuD;ay:wGif wnfaqmufxm; aom [dE´Lbk&m;ausmif;ykHpH wpfxyfwkdufjzpfonf/ uE´Dbk&if av;qufajrmuf bk0aPuAm[k (Buwanekabahu IV) u at'D 1344-ckESpfwGif wnfaqmuffcJhjcif; jzpfonf/ Adokumynm&Sifrsm;pGm yg0ifcJhonf/ xkdtxJwGif ta&;ygaom Adokumynm&SifwpfOD;rSm tddE´d,awmifykdif;om; *aeqG&&S&D (Ganesvarachari) jzpfonf/ okdYjzpfí tEkynmvuf&mrSm  tdE´d,awmifykdif;vuf&m qefoGm;onf[k qkdMuonf/ tvkyform;rsm;ukd wkdif;wpfyg;rS ac:aqmifcJhykH&onf[k cefYrSef;Muonf/ ausmif;aqmifukd ,cktcg *'va'ed,[k vlodrsm;aomfvnf; ausmufpm wpfckwGif "r®udwdå0d[m&[k a&;xkd;xm;onfukd awGU&onf/ *'va'ed,[lonf xdkbk&m;ausmif;wnf&Sd&m &Gmwpf &Gm\trnf jzpfonf/ ausmif;aqmif\ykHpHrSm [dE´Lbk&m;ausmif;aqmifESifh wpfykHpHwnf; jzpfonf/
      bk&m;ausmif;qif0ifaqmif&Sd ausmufwkdifrsm;? eH&Hrsm;? avScg;xpfrsm;wGif ewf½kyfrsm;? uacsonfrsm;? qiff½kyf? jrif;½kyfrsm;ukd awGU&onf/ uacsonfwkdY\ uaeykHrsm;rSm ,aeYacwfuuGufrsm;ESifh tawmfqifwlonf/ ausmif;aqmifxJ&Sd ru&f;(Makara)½kyf<uatmufwGif ay:wl*Drsm;\ zsufqD;xm;jcif;cH&aom xkdifawmfrlqif;wkawmf wpfql&Sdonf/ &yfawmfrl½kyfyGm;awmf av;qlvnf; &Sdonf/ ru&f;BuD;onf yg;pyfBuD;NzJum vQmESpfbufukd bk&m; ½kyfyGm;awmf\ vufarmif;wpfzufwpfcsufpDodkY wGJvsm;csxm;onf/ xkdvQmESpfbufukd [oFmESpfaumifu wpfzufpD rsKdxm;onf/ [oFmrsm;ESifh ru&f;yg;pyftMum; vQmjym;ay:wGif jcaoFh? yl;? "m;ukdifxm;ol paomt½kkyfrsm;ukd awGU&onf/
      xkdYaemuf rdrdwkdYtzGJUonf vuFmwdvubk&m;ausmif;odkY qufvufxGufcGmcJhMuonf/ vuFmwdvuodkY a&mufaomtcg rufo½ll;ESifh 'DemwkdYa&m? rdrdwkdYyg &ifoyf½Iarm&av\/ ausmif;aqmifESifh ¤if;\ aemufcH½Icif; rsm;rSm a&muf&Sdvmoltm;vkH;ukd ae&mrSrcGmEkdifavmufatmif qGJaqmifrI&Sdav\/ jymvJhvJh rIdif;ndKUndKU rkd;om;rsm; atmufwGif awmifpOfawmifwef;MuD;ESifh v,fuGif;jyifrsm;rSm MunfEl;qGwfysHU vGrf;armzG,f&mtwd jzpfae\/ þ½Icif;rsKd;rSm jrifuGif;us,f (Panorama) ½Icif;rsdK;jzpfaMumif; a';Apfrufo½l;ESifh 'DemwkdYu &Sif;jyonf/ vuFmwdvuausmif;aqmifonf vSyaom½Icif;rsm;ukd aemufcHjyKum ukef;jrifhjrifhay:wGif xD;wnf;BuD;&Sdaeonf/ 0ef;usifwpfckvkH;rSm wdwfqdwfNyD; jidrfoufat;csrf;aeonf/ ta0;wGif vSrf;jrif&aom rIdif;ndKUndKU awmifwef;BuD; ay:rS [kdwpfpk'Dwpfpk jyefYusJaeaom &Gmav;rsm;ukd jrif&aomtcg pma&;ol csif;awmifay:wGif omoemjyKpOfu ykH&dyfrsm;ukd jyefvnfjrifa,mif vGrf;armaerdonf/
      wpfarQmfwpfac:½Icif;BuD;ukd Munfhaecdkuf awmifatmufausmufavS;cg;xpfrS qif[mvukd&ifi,f wpfyg; onf aomhwGJukdifum wufvmNyD; ausmif;aqmif0ifaygufwHcg;udk zGifhay;av\/ xkdausmufavScg;onf awmif atmufajc&Sd&GmESifh ausmif;aqmif\ t"du0ifaygufukd qufoG,fxm;onf/ ausmif;aqmifrSm wHcg;ayguf av; ayguf &Sdonf/ ausmif;aqmifteD;wGif NcHpnf;½kd;cwfxm;aom ausmufpmjym;BuD; wpfckudkawGU&onf/ yuwd ausmufjym;BuD;ay:wGif xGif;xka&;om;xm;jcif; jzpfonf/ tu©&mrsm;rSm ,aeacwfoD&dvuFmEkdifiHwGif tokH;jyKae aom tu©&mESifh twlwlyif jzpfonf/ þae&m0ef;usif&Sd 0wåuv,fajr  (432){uESifh 4if;v,fajrrsm;ay:wGif vkyfudkifaeMuaom &Gmaygif;(10)&GmwkdY\ pm&if;jzpfonf[k od&onf/ v,fvkyfolrsm;u rdrdwkdY&&SdonfhtxJrS xuf0ufukd ausmif;wdkufa&&SnfwnfwHha&;twGuf ausmif;xdkifq&mawmftm; ay;vSL&onf/ ausmif;xdkifq&mawmf tqufqufonf ausmif;wdkufudkqufcHrnfh (odkYr[kwf) yxrqkH;&[ef;cHay;onfh wynhf&[ef;udk vTJajymif;ay;& onf/
      þausmif;aqmifudkvnf; uE´Dbk&ifav;yg;ajrmufbk0aPuAm[k (Buwanekabahu IV)                       uyif at'D 1344-ckESpfwGifyif wnfaqmufcJhjcif;jzpfonf/ ydkíxl;qef;onfrSm jyefYjyL;nDnmrIr&Sdaom ausmufwHk; BuD; ay:wGif bk&ifu tvkyform;rsm;udk twif;t"r®apckdif;cJhjcif;jzpfonf/ bk&ifbk0aPuAm[konf *rfaygv NrdKUukd rif;aejynfawmftjzpf a&G;cs,fcJhol jzpffonf/ *rfaygvacwfwGif tkyfcsKyfcJhol rif;ig;yg;wdkYu ,Ofaus;rI tEkynmrsm;ukd wkd;wufatmif aqmif&GufcJhMuonf[k qkdonf/ ausmif;aqmifykHpHrSm wpfxyfwkdufjzpfNyD; tkwf<uyf rsm;jzifh okH;qifhrkd;í bkHokH;qifh ykHpHjyKvkyfxm;onf/ rlvu av;xyf&SdNyD; ay:wl*De,fcsJUrsm;\ zsufqD;rIaMumifh ,cktcg wpfxyfom usef&Sdawmhonf/ ausmif;aqmifeH&Hrsm;wGif AdokumvufpGrf;jyxm;aom qif½kyfrsm;? jcL;yef; jcL;EG,frsm;? pkvpfrGrf;cRefrsm;jzifh wefqmqifxm;onf/ plV0Housrf;t& pwkw¬ajrmuf y&uúrAm[k (at'D 1412-67) u aemufxyfjyifqifrIrsm; jyKvkyfcJhonf[k od&onf/ xkdrif;onf aygavme½k0wGif emrnfwl vuFmwdvu trnfjzifh ausmif;aqmifwpfckudk aqmufvkyfcJhao;onf/  
      ausmif;aqmift0if avScg;ajc&if;wGif yuwdausmufom;rsm;ukd xGif;xkxm;aom vjcrf;ykH ausmufjym; wpfcsyf&Sdonf/ 0ifayguftxufwGif ru&awm&Pac: ru&f;½kyfBuD;wpfckukd awGU&onf/  ausmif;aqmifxJwGif xkdifawmfrl Ak'¨½kyfyGm;awmfBuD;wpfqlukd awGU&onf/ ½kyfyGm;awmfBuD;txufwGif *'va'ed,ausmif;aqmifwGif awGUcJh&onfh ykHpHtwdkif; ru&f;½kyfBuD;udk awGU&onf/ okdY&mwGif ,ckawGU&aom ru&f;½kyfrSm aq;a&mifrsm; jc,fxm;jcif;aMumifh ydkíxif&Sm;onf/ teDa&mifukd rsm;pGmoHk;xm;NyD; jzL? 0g? jym? rD;cdk;a&mifrsm;jzifh jc,foxm;&m ½kyfwkrsm;rSm vGefpGmtouf0ifvSonf/ ru&f;½kyfBuD;txufwGif [dE´Lbmomü xif&Sm;aom ewf½kyfrsm;pGmukd >ywfodyfaeatmif xGif;xkxm;onf/ ab;0J,meH&Hrsm;wGif yGifhawmfrlNyD;aom ESpfusdyf&Spfqlbk&m;rsm;? owå|me ckESpf ae&mESifh oD&dvuFmEkdifiH&Sd Ak'¨bmomESifh ywfoufí xif&Sm;aom(16)ae&mwkdYukd eH&Haq;a&;yef;csDrsm;jzifh ykHazmf xm;onf/ ESpfusdyf&Spfqlbk&m;rsm;\ aemufausm&Sd opfyifrsm;udk aAm"dyif? oajyyif? 0g;½kHyifponfjzifh olYqkdif&m tyifrsm;ukd aumufaMumif;yef;csDrsm;jzifh ykHazmfxm;onf/
      ausmif;aqmif&Sd opfom;jywif;aygufrsm;? wHcg;rsm;ukd yef;uEkwfrsm;jzifh vSypGm tuGufazmfxm;onf/ þae&modkY ukdvHbkd-uE´Dvrf;rSjzpfap? uE´D-*rÜ[mvrf;rSjzpfap a&muf&SdEdkifonf/ ay&ma'ed,NrdKUESifh (12) uDvkd rDwm uGma0;onf/ trfbufaua'0gvD (Embekke Devale)ESifh a'g*efa0v (Doganwela) ausmif;aqmif wkdYrSmvnf; ykHpHwlvuf&mrsm;jzpfonf[k qkdMuonf/ Adokumvuf&mrsm;rSm *smAm;wGif awGU&aom wrD;vf? em'k? qE´D? oD*oD& vuf&mrsm;ESifh wlonf[k qdkMuonf/ þausmif;aqmifav;ckvkH;rSmyif AdóEkd;? emx? uwå&*gr [laom [dE´Ltapmifhta&Smuf ewfokH;yg;udk xkvkyfxm;onf/ 'ó*D&d(&m0P)? ol\nD bDbDoe? r[mydEéJESifh AdóEkd;½kyfwkrsm;tjyif jrwfpGmbk&m;xHrS ajcawmf&mawmif;yefcJhaom okreewfrif;\ ½kyfwkukdyg xkvkyfxm;onf/ wpfae&mwGif ukrm&bE´&trnf&Sd ewf½kyfukd tjyma&mifcef;qD;umxm;av\/ xkdewfukd tEÅ&m,fewf[k qkdMu onf/ wpfywfvQif ESpfMudrf pm;aomufzG,f&mrsm;jzifh cef;qD;ukdvS [dE´Lqkdif&mtcsuftvufrsm;ukdrl odyfr&Sif; Ekdif cJhMuay/ þae&mokdY vma&mufavhvmaom EdkifiHjcm;om;wpfa,muftzkdY Ak'¨bmomvrf;nTTefESifh [dE´Lvrf;nTTef ESpfa,mufukd wpfNyKdifeuf ac:&onf/ aevnf; apmif;cJhNyD/ pma&;olwkdYvnf; trSwfw&"mwfykHrsm;½kdufMuonf/ rufo½l;wkdYZeD;armifESHuvnf; rdrdwkdYESifh awGUqkH&onfukd vGefpGmoabmusaeav\/ 2011-ckESpf? Zefe0g&Dv 24-&ufaeYwGif oifwef;NyD;qHk;um rdrdwdkYtm;vHk; ukdvHbkdNrdKU jyefvmcJhMuonf/
      vuFmwdvutrSwfw&"mwfykHrsm;ukd Munfhrd&if; uE´Doifwef;rS ykH&dyfrsm;ukd jyefvnfwl;qGaerdonf/ vuFmwdvuonf [dE´LESifhAk'¨bmomwkdY\ tvSrsm;udk vGwfvyfrI? em;vnfrIrsm;jzifh ykHazmfxm;onf/ vuFmwdvuonf a&maESmrIrsm;ukd vGwfvyfrIrsm;jzifh ykHazmfxm;ouJhodkY rdrdwkdYonfvnf; cGifhvTwfem;vnfrIrsm;? t,loDvwlrQrIrsm;jzifh nDnGwfrIrSwfwkdifudk pkdufxlEdkifcJhMuonf/ trSeftm;jzifh uE´Dt*Fvdyfpmoifwef;\ wpfpdwfwpfydkif;jzpfaom vuFmwdvuavhvma&;c&D;ukdf a&m>yrf;½IIyfaxG;rIrsm;ukd nDnGwfrIrsm;jzifh aygif;pyfxm;aom tvGrf;ykH&dyfav;rsm;tjzpf jyefvnfykHazmfvdkuf&ygonf/

t&SifpE´moD&d (omoewuúoDv"r®mp&d, (B.A.) (M.A. oD&dvuFm)
(သီရိလကၤာႏုိင္ငံ၊ ျမန္မာေက်ာင္းသားရဟန္းေတာ္မ်ား စတုတၳအႀကိမ္ထုတ္၊ လကၤာတမန္မဂၢဇင္းတြင္ ေရးသားခဲ့ေသာ ေဆာင္းပါး)



Friday, June 28, 2013

The most peaceful realigion

The four great religions such as Hundism, Buddhism, Christanism, rand Islamism should be compared freely without holding any personal
views.
Buddhism, indeed, has existed a long time without making or creating any violence, terrorism or harming anybody.
Buddhism, therefore, should be regarded as a peaceful religion in the world.

Friday, April 26, 2013

သမုိင္းထဲက မိတၳီလာ၊ မိတၳီလာထဲက သမုိင္း



        ၂၂.၄.၂၀၁၃ ေန႔တြင္ ေက်ာက္ဆည္ကေန မိတၳီလာသို႔ ခရီးတစ္ေခါက္ ျပန္ေရာက္ခဲ့ တယ္။ ေျခာက္ေသြ႔ေနတဲ့ ျမင္ကြင္းေတြ၊ မီးရႈိ႕ခံထားရတဲ့ အေဆာက္အဦေတြ၊ လုံၿခဳံေရးရဲေတြ ကုိ ေတြ႔ေနရတယ္။ ၂၀ ရက္ေန႔က နယူး၀ိတ္ေရႊဆုိင္မွာ စတင္ခဲ့တဲ့ လူမ်ိဳးေရးပဋိပကၡရဲ႕ အဓိ ကရုဏ္းျပကြက္တစ္ခုက ျပဳျပင္ေျပာင္းလဲေနတဲ့ ျမန္မာ့ဒီမုိကေရစီဇာတ္ခုံကို ကိုင္လႈပ္ႏုိင္ခဲ့ တယ္။ တရားမွ်တမႈ၊ ဘာသာတရားလြတ္လပ္မႈ၊ စီးကမ္းက်နတဲ့ စနစ္သစ္(သုိ႔) ေခတ္သစ္ တစ္ခုကုိ ပုံေဖာ္ႏုိင္သလား....မေဖာ္ႏုိင္ဘူးလားဆုိတဲ့ စမ္းသပ္မႈရသမ်ိဳးစုံကုိ ေပါက္ဖြားေပး ႏုိင္တဲ့ သမုိင္း၀င္ျပကြက္တစ္ခု ျဖစ္လာခဲ့တယ္။ တစ္ခန္းမရပ္ႏုိင္တဲ့ တစ္ခန္းရပ္ျပဇာတ္တစ္ခု လုိပါပဲ။
         
 ၂၄ ရက္ေန႔က ဖမ္းဆီးထားတဲ့ ျမန္မာေတြ၊ ကုလားေတြကို အမႈစစ္ေဆးတယ္။ ျပန္လည္လႊတ္ေပးသင့္သူကုိ လႊတ္ေပးမယ္လုိ႔ သိရတယ္။ ျမန္မာေတြအေပၚ စီရင္ခ်မွတ္တဲ့ ဥပေဒေတြက မမွ်တဘူးလို႔ အမ်ိဳးသားေရးစိတ္ ယုိဖိတ္သူမ်ားက အံႀကိတ္ၾကတယ္။ ျမန္မာ ပုိ႔စ္မွာလည္း ဆရာေတာ္ဦး၀ီရသူကုိ  ျပန္လည္ဖမ္းဆီးမယ့္ အေနအထား ေဖာ္ျပထား တယ္။ မေလးရွားစတဲ့ မူဆလင္ႏုိင္ငံေတြမွာ သူတုိ႔ဘာသာတရားနဲ႔ လူမ်ိဳးေရးကုိ  ဥပေဒက လုံၿခံဳမႈ အျပည့္အ၀ေပးထားေၾကာင္းသိရေတာ့ ကိုယ့္ႏုိင္ငံနဲ႔ယွဥ္ၿပီး မခံခ်င္စိတ္က ထိတ္အထိ တက္ လာခဲ့တယ္။
         
 အေတြးပုံရိပ္ေတြနာက္လုိက္ေနစဥ္ အတိက္သမုိင္းမွ ဂႏၳ၀င္ျပကြက္မ်ားက  အသုံး ေတာ္ခံဖုိ႔ရန္ အစီအရီထြက္ေပၚလာေျခၿပီ။ ျမန္မာသမုိင္းရဲ႕ အာဇာနည္သူရဲေကာင္းႀကီးတစ္ဦး ဖြားကနဲေပၚလာတယ္။ သူ႔ေနာက္မွာ ေထရ၀ါဒသာသနာကုိ ခုိင္မာေအာင္ စတင္အုတ္ျမစ္ခ် ေပးသူ၊ ပထမျမန္မာႏုိင္ငံေတာ္ႀကီးကို တည္ေထာင္ခဲ့သူ၊ တုိင္းရင္းသား ေရႊျမန္မာညီအကို ေမာင္ႏွမမ်ားကုိ ေပါင္းစည္းေပးႏုိင္မႈရဲ႕ သတၱိ၊ ဗ်တၱိအရည္အေသြးမ်ားကုိ အေရာင္တင္ေပး ႏုိင္ခဲ့သူ စသည့္ ဂုဏ္ျပဳစာတမ္းမ်ားက အရႈိအရႈိထြက္ေပၚလာသည္။ သူဟာ အေနာ္ရထာမင္း ျမတ္ ျဖစ္ေၾကာင္းကုိ ပရိသတ္က မေျပာဘဲနဲ႔ ႀကိဳသိေနၾကၿပီ။
         
 သူ႔အပါးမွာ ျမင္းသည္ေတာ္တစ္ဦး ခစားေနလွ်က္ရွိတယ္။ ျပည္သူ၊ ျပည္သားေတြရဲ႕ စား၀တ္ေနေရးအတြက္ တူးေဖာ္ထားတဲ့ ကန္ေတာ္ႀကီးက်ိဳးေပါက္မႈကို ျပဳျပင္ၿပီးေနာက္ ....ဒီ ကန္ေတာ္က-ေရ ပုပၸါးေတာင္ေျခ ထိ-မထိ ၾကည့္ေစ....အမိန္႔ေပးလုိက္သည္။ ျမင္းသည္ေတာ္ က နံနက္ၾကက္ဆင္းခ်ိန္မွာ အျမန္ႏႈံးနဲ႔ စတင္ထြက္ခြာပါေတာ့တယ္။ ညၾကက္တက္ခ်ိန္ ျပန္ ေရာက္လာေတာ့ မင္းႀကီးက ...ပုပၸါးေတာ္ေျခ ေရထိသေလာ...ေမးေတာ္မူလုိက္တယ္။ ျမင္း သည္ေတာ္က မထိလာပါဘုရားလုိ႔ ေလွ်ာက္တင္ရင္း ျမင္းေရာလူပါ ဇီ၀ိန္ေႂကြသြားပါ ေတာ့ တယ္။ ထုိကုိစြဲ၍ ..မထိလာကန္..ဟု သမိုင္းမွာ နာမည္က်န္ခဲ့တယ္။ ကာလၾကာေညာင္းမႈ ဒဏ္ရဲ႕ တုိက္စားမႈေၾကာင့္ မထိလာကေန မိတၳီလာ ျဖစ္လာခဲ့တယ္။
           
ကန္ေတာ္သမိုင္းပုရပုိက္မူကလည္း....
မထိဣတိ သဒၵံ လာတိ၊ ၀ဒတိ ဣတိ မထိလာ။
 ဣဒါနိ စ မိတၳီလာတိ၊ သဗၺဇေနဟိ ၀ုစၥေရ...ဟူ၍ ေထာက္ခံေပးပါတယ္။
          ေနမိဇာတ္ေတာ္၊ မဟာဇနကမင္းဇာတ္ေတာ္ေတြမွာပါရွိတဲ့ မိထိလာျပည္ႀကီးလုိပဲ ရန္အေပါင္းကို ရွင္းလင္းသုတ္သင္ႏုိင္တဲ့အတြက္၊ စည္းစိမ္ဥစၥာရတနာေရႊေငြ ဆန္ေရစပါးမ်ား ႂကြယ္၀တဲ့အတြက္ သဒိသူပစာအေနနဲ႔ မိထိလာဆုိတဲ့ ပါဠိအမည္ကေန မိတၳီလာ ျဖစ္လာ ေၾကာင္း ဆုိၾကတယ္။
(ေ၀ရံ မထတိ ဟိ ံသတိ၊ ဧတသၼိ တိ မိထိလာ။
သမၸတိ ဟိ မိတၳီလာတိ၊ အပိစ ေ၀ါဟရီယေတ..။)
          
 မိတၳီလာကန္ေတာ္ကုိ ေရွးက သွ်ီသွ်ားကန္၊ ေမတၱာကန္၊ မေထာင္းတာကန္လုိ႔လည္း အမ်ိဳးမ်ိဳးေခၚေ၀ၚၾကျပန္တယ္။ ..ေရ စစ္ကုိင္း၊ လႈိင္း ပခန္းငယ္၊ လယ္ ေတာင္တြင္း၊ စပါး ရမည္း သင္း၊ အင္း ေတာင္သမန္၊ ကန္ မိတၳီလာ..ဟုလည္း ထင္ရွားခဲ့သည္။ ကင္း၀န္မင္းႀကီးရဲ႕ အံ့ကိုးပါး အခ်ိဳးကလည္း မွတ္သားစရာေကာင္းလွပါတယ္။
အံ့ကုိးပါး အခ်ိဳး
သုံးႏွစ္ကယ္ သုံးတန္၊ လုပ္စားမွန္ကန္လုိ႔
ဆင္ဆဒၵန္ ေရႁပြန္လွ်ိဳး၊ တုိး၀င္ေလာက္သာ
ငွက္ႀကိဳးၾကာ ေရမေသာက္သည့္ျပင္
ေရွ႕ေနာက္ ေျမာက္ေတာင္က
ငဲ့ေတာ္ေယာင္ ရႈေမွ်ာ္ၾကည့္ ထိ မထိပါ
သည္အရာ မွတ္ပါေတာ့ တခန္း
ငါးရံ႕ ငါးခူႏွင့္ ငါးပူစီ ဘယ္မရွိသည့္ျပင္
ေရညွိမတင္ျပန္ရ၊ စိဥၥ တဆစ္သီးပါလုိ႔
မာန္က်ည္း ေပပင္က၊ ကမ္းညာခြင္ ပါသည့္ဒိုက္ကယ္
အမႈိက္လာ မ၀င္စြာမုိ႔၊ မိတၳီလာ အ့ံကုိးကုိ
ထုိးေတာ့ ဥဒါန္း..............
          
 မိတၳီလာကန္ပတ္လည္မွာ.........
သိမ္ (၉) သိမ္၊
ဂူ (၉) ဂူ၊
ကုန္း (၉) ကုန္း၊
အင္း (၉) အင္း၊
အုိင္ (၉) အုိင္ ရွိေၾကာင္း ေဖာ္ျပထားတယ္။
          မိတၳီလာကန္နဲ႔ ပတ္သက္တဲ့ ေမာ္ကြန္း (၄) ေစာင္ကလည္း မိတၳီလာထဲက သမုိင္းကို အေရာင္ဆုိင္းေပးေနပါတယ္။


          အဲဒါေတြကေတာ့
၁။ ရွင္မဟာသီလ၀ံသဆုိထားတဲ့ က်ဴးေလာ့ စစ္ေခါင္ ခ်ီ သွ်ီသွ်ားကန္ဘြဲ႔ ေမာ္ကြန္းရယ္၊
၂။ တြင္းသင္းတုိက္၀န္ မဟာစည္စပ္ဆုိထားတဲ့ က်ဴးေလာ့ ေျမတာခ်ီ ေမာ္ကြန္းရယ္၊
၃။ ဗလနႏၵသူသီကုံးခဲ့တဲ့ ရႈေလာ့ စဥ္ရွည္ ခ်ီ ေမာ္ကြန္းနဲ႔
၄။ ေရႊေတာင္ နႏၵသူမွတ္တမ္းတင္ခဲ့တဲ့ ပြင့္လင္းက်က္သေရ ခ်ီ ေမာ္ကြန္းတုိ႔ ျဖစ္ပါတယ္။
          တုိင္းတစ္ပါးသားေတြ အုပ္ခ်ဳပ္စဥ္ကလည္း မိတၳီလာကန္ေတာ္ကုိ စာေပမွတ္တမ္း ေတြနဲ႔ အေရာင္တင္ခဲ့ၾကပါေသးတယ္။ ယခုလည္း ဦး......ဆုိသူက က်မ္းတစ္ေစာင္၊ ေပတစ္ဖြဲ႔ ဋီကာခ်ဲ႕ထားတာ ေတြ႔ရတယ္။
         
 ေခတ္အဆက္ဆက္ သမိုင္း၀င္ခဲ့တဲ့့ သမုိင္းထဲက မိတၳီလာေနာက္ တေကာက္ ေကာက္ လုိက္ေနမိသည္။ တန္းခူးလျပည့္ည ေရာက္ေတာ့မည့္ဆဲဆဲ သာယာလွပ ေအးျမတဲ့ ေဘာ္ေငြေရာင္ေတြက မိတၳီလာၿမိဳ႕ကုိ ဖြဖြေအး ေမြးေမြးေပးေနပုံက ၾကည္ႏူးစရာပါပဲ။ ေတာမအနီးမွ သူငယ္ခ်င္းျဖစ္သူ ဦးနႏၵိယရဲ႕ က်ယ္၀န္းလွတဲ့ ၿခံႀကီးထဲက သရက္န႔ံ၊ ဇလပ္န႔ံစတဲ့ ပန္းရနံ႔ေတြက ၀န္းက်င္အား ေမြးရနံ႔မ်ားျဖင့္ ေက်းဇူးျပဳေနၾကသည္။ ဩကာသ ေလာကႀကီးက အိပ္ေမာက်ေနဟန္တူရဲ႕။ ထုိစဥ္ ဆူညံပြတ္ေလာရုိက္ခတ္သံတစ္ခ်ိဳ႕က ၾကည္ႏူးစရာအလွမ်ားကုိ ခ်က္ခ်င္းရုိက္ခ်ိဳးပစ္ပါေတာ့တယ္။ သတၱေလာကသားေတြကေတာ့ ေလာဘ၊ ေဒါသ၊ မာန္မာနေတြရဲ႕ ထုိးႏွက္မႈေတြကုိ အလူးအလဲခံေနရတယ္။ ကမၻာေျမကို အက်ည္းတန္ေစမယ့္ ကႀကိဳးကကြက္ေတြကုိ ပုံေဖာ္ရန္ ဟန္တျပျပနဲ႔ မာန္ႂကြေနေလရဲ႕။ မွတ္မွတ္ရရ ထုိေန႔က ၂၃ ရက္ညခ်မ္းကာလ။
           
ေဩာ္ ေဒါသက လက္နက္ကမၻာကုိ ဖန္တည္းေပးၿပီး အသိဥာဏ္မဲ့မႈေမာကက အကန္းကမၻာႀကီးကုိ ပုံေဖာ္ေနၾကၿပီ။ သမုိင္းထဲက မိတၳီလာေနာက္ စိတ္အစဥ္တုိ႔ စီးနင္း၀င္ေရာက္ေနစဥ္ မိတၳီလာက သမုိင္းထဲ ျပန္၀င္ေနေလၿပီ။

(ဗန္းေမာ္ဆရာေတာ္ဦးကုမာရာဘိ၀ံသေရး အင္းမႀကီးသိမ္ေတာင္သာသနာ၀င္က်မ္းနဲ႔ ကုိယ္ေတြ႕တစ္ခ်ိဳ႕ကုိ မီွး၍ ေရးလုိက္ပါတယ္။)
    

Friday, March 29, 2013

မစိုးရိမ္တမ္းခ်င္းတစ္ခု (သုိ႔မဟုတ္) ဓမၼဓိ႒ာန္က် ၾသ၀ါဒ



တစ္ခါက ဒုိ႔ဆရာ
ဆြမ္းစားက ျပန္လာ
၀ဲယာမွ ဒကာ၊ ဒကာမေတြနဲ႔
မာစီဒီး၊ လင္ခရိုစာ
ကားအလွေတြေရာပါ......။
တုိက္ထဲအေရာက္
မ်က္စိေနာက္စရာ
ဗိုက္ေမွာက္ဒူးေထာက္
သကၤန္းေျပာင္ စက္ေတာ္ေခၚ
စာသင္သားမ်ားက တေမွ်ာ္တေခၚ
ေအာ္......မေတာ္လုိက္ပါဘိ......။

ေဟာ........တေနရာ
၀ိမုတိၱေက်ာင္းေအာက္မွာေတာ့
မေပ်ာ္တဲ့ စာက်က္သံ
ပြက္ပြက္ဆူညံ
အေရအတြက္မွန္
သုံးဆယ္ေလာက္ ေကန္...။
ဤႏွစ္တန္ ခ်ိန္ထုိး
လက္ညွိဳးထုိး ႏႈိင္းယွဥ္
အသံရွင္ ကုိယ္ေတာ္မ်ား
ၾကည္ညိဳထုိက္ပါလား....ဟု
၀ပ္တြားကာ လက္စုံမိုး
ရွိခုိးဖုိ႔ ျပင္.....။

ဆရာရွင္ ထုိအခိုက္
အလုိမလုိက္ လမ္းစဥ္
ရုိးခုိးခ်င္လ်င္
စက္ေတာ္ရွင္ ကုိယ္ေတာ္မ်ား
ဦးခိုက္သင့္သား...
သူတုိ႔ဟာ
၀ီရိယ၊ ပညာသာလုိ႔
ဒဏ္လြတ္ခါ နားေနေၾကာင္း
ျဖစ္ေၾကာင္းအမွန္
ဇာတ္ျမစ္ကုိလွန္
ဓမၼဓိ႒ာန္က်
ဆရာ့ၾသ၀ါဒ
ၾကည္ညိဳလွပါ၏.......။
(အစားထုိးမရတဲ့ သာသနာ့အာဇာနည္ဆရာအရွင္ ဘ၀နတ္ေက်ာင္းေရြ႕ေျပာင္းသြား၍ မစုိးရိမ္ေနခုိက္က ေတြ႕ႀကံဳနာယူခဲ့မိတဲ့ ဆရာသခင္ဩ၀ါဒကုိ လြမ္းတသသနဲ႔ ေရးဖြဲ႕လုိက္ပါသည္။)

Friday, March 22, 2013

ဘာသာ၀ါဒ မတူၾက အတၱႀကီးထြားလာ....


ကုလား ဗမာ အဓိကရုဏ္း
ေသၾကေက်ၾက အတုံးအရုံး
မိတၳီလာအလွ ပ်က္သုဥ္း.......
အေမွာင္ပိတ္ဖုံး.......
လူသားတုိ႔ရဲ႕ နိဂုံးေရာက္လုၿပီေလာ.......

Thursday, January 10, 2013

Buddhist Concept of Asthetic or Beauty

Buddhist Concept of Asthetic or Beauty

Aesthetic is very important as far as personality because every person have two aspects of his personality: Intellect and Emotion. If one has no aesthetic, he can become a very selfish person. In regard to this, there are two main qualities': Aesthetic and Compassion.

In Sakkapañha Sutta, there was a deity named Pancasikha. He was facing a problem of love because he loved very much a beautiful deity lady. One day, he composed the loved song mentioning about the Buddha, the Dhamma, the Sangha, the Arahants and love. One of places in his song, “appako vata me santo, kāmo vellitakesiyā, anekabhāvo samuppādādi, arahanteva dakkhinā”

when we offer some food to the Arahant, our merit increases to the higher level, when I see the waving hair, my desire of love increases in my mind. Although this supra-mundane and mundane mixed in his song, the Buddha did not deny and criticize because mundane contacts with supra-mundane and supra-mundane contacts with Aranhantship.

Similarly, in Dhammapada, the Buddha took the prince Nanda to the heaven and asked if he wanted to get Janapadakalyānī or these dancers. Nanda says, “I want to get one of them”. “If so, you have to strive hard in the practice of the Dhamma” said the Buddha. When Nanda attained Arahantship, he told the Buddha that he did not want to get these dancers. Here, the Buddha also used aesthetic concept to encourage Nanda.

In Mahāsamaya Sutta is concerned with the aesthetic concept. In this Sutta, the Buddha addressed the monks and asked them, “Please see the Devas, they are shining, retinue and how they are shining, etc, but the monks cannot see them. So, they had to meditate to see them. Then, they can see little by little. This is aesthetic concept used by the Buddha in order to encourage the monks to develop divine power.

In Ātānātiya-Sutta, the four celestial kings came to the Buddha and asked permission to teach the bhikkhus the Ātānātiya verses. The Buddha gave his consent by remaining silent. Then, the Buddha advised his disciples to teach Ātānātiya verses and master them and remember them. Here, the Buddha used aesthetic concept to encourage his disciples.

In the Dhammapada, the Buddha decorates so many sermon with aesthetic aspect like that; Yathāpi bhamaro puppham, vann gandha mahethayan, paleti rasamādāya, evam gāme munī care- As a bee without harming the flower, its colour or scent, flies away collecting only the honey, even so should the sage wander in the village’. They appreciate this sermon because of using aesthetic concept.

In the Therīgāthā, there are many stories concerned with this title. For example, Therī Vimalā says; I was by mind beauty. I had great fame. I was very young. Then I thought that I am the most beautiful lady in the world, etc.  Here she used aesthetic concept to attract to her.)

So, aesthetic concept is very useful in our life. If we neglect it, we do not need to get aesthetic idea. That is not a good way. We have to use it properly. That is why, in these Suttas, the Buddha used it.